mirror of
https://github.com/Theodor-Springmann-Stiftung/konkykru.git
synced 2025-10-29 01:05:30 +00:00
1 line
35 KiB
HTML
1 line
35 KiB
HTML
<html><head> <title>Andy's Early Comics Archive</title></head>
|
|
<body bgcolor="#000000" text="#DBBA9A" link="#ccffcc" vlink="#99FFFF" alink="#99FFFF" ><basefont size="3">
|
|
<div align="center">
|
|
|
|
<a href="index.html">Home</a>
|
|
<a href="earlycomics.html">Early Comics</a>
|
|
<a href="links.html">Links</a>
|
|
<a href="ac.00.abstract.thumbs.html">Abstract Comics</a>
|
|
<a href="ac.00.other.html">Other Comics</a>
|
|
<a href="ac.00.konky.kru.html">Konky Kru</a>
|
|
<hr>
|
|
|
|
|
|
<span style="color: #ff0000;"><span style="font-size: 80%;">
|
|
The best way to return to the previous page is the <b>backspace key</b> (above the return key).
|
|
|
|
On Macs this is the 'delete' key.
|
|
<br>
|
|
Or just click on the pictures to get back here.
|
|
</span></span>
|
|
<br>
|
|
<div align="center">
|
|
<b><font size="7"><span style="color: #DBBA9A;">Andy's Early Comics Archive</span></font></b>
|
|
|
|
|
|
<br>
|
|
<span style="font-size: 150%;">Comics from 1783 to 1929</span>
|
|
<br>
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
<span style="font-size: 80%;">
|
|
This is a presentation of historical comics, intended to enlighten and amuse students of comics history, (and to provide their teachers with reference material.)
|
|
|
|
Maybe these early comics will also inspire some of today's comics artists.
|
|
|
|
Most were scanned by me, ususally from books or magazines lent to me. Sometimes I get sent a dvd with scans someone made from his own collection.
|
|
</span>
|
|
<br>
|
|
|
|
</td> </tr> </table>
|
|
|
|
<div align="center">
|
|
</td> </tr> </table>
|
|
|
|
<br>
|
|
|
|
|
|
|
|
|
|
|
|
<br>
|
|
<br>
|
|
<br>
|
|
|
|
<a name="1895">
|
|
<span style="font-size: 230%;">1895-1900 (The Sunday Supplements)
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
|
|
|
|
<br>
|
|
<a href="e.world.1897.06.20.large.html"><img src="mi.world.1897.06.20-5.jpg"border="0"></a><br>
|
|
<br>
|
|
|
|
Eventually there should be a section presenting this crucial period in more detail. At the moment I don't have sufficient material. Magazine comics from that time will remain in the preceding section.
|
|
<br>
|
|
It is difficult to decide how important the development of comics in humorous magazines and in the newspapers respectively were, without studying a lot more of the work.
|
|
|
|
Below you can at least sample the visual flavour of one magazine and that exciting new thing, a comics supplement, both from the summer of 1897.
|
|
<br>
|
|
At the time it wasn't clear that it would be the supplements which would develop into modern comics. Magazines like Puck, which were based on German magazines of the time, such as 'Lustige Blätter', were stuck in a bit of a rut. The type of comics they presented had not changed much for 30 years. But there were other magazines, such as the German weekly 'Simplizissimus' (starting April 1896), which came up with sublimely inventive designs, and satirical adult themes.
|
|
<br>
|
|
HOWEVER:
|
|
<br>
|
|
Looking at this Puck and the Sunday Comics Supplement , it struck me that both the format and the audience for the latter may be the cause of significant changes. The newspaper format was much larger and cheaper, providing a lot more empty space to fill. The audience was less sophisticated, but (possibly because of this) more open to a particular type of experimentation, despite the dumb and lowbrow humour. Admittedly, this is being wise in retrospect. For whatever reason, these American Sunday pages became the breeding ground for something new. Weirder, rougher, slapdashier. Also easier, for children, but not childish. More popular. More ... somethingier.<br>
|
|
Maybe it was that new type of human being, the urban immigrant, who was most prepared and eager to pay for all this new visual goings on.
|
|
<br>
|
|
<br>
|
|
As you can see in the example below, early supplements didn't actually have many comics, apart from the usual short black and white snippets, similar to those in magazines. The new, enormous areas of colour were at first used for large, sometimes complex cartoons.
|
|
|
|
But sequential cartoons did start to pop up with a vengeance in the form of Hans and Fritz, the Katzenjammer Kids, based on the popular classic 'Max und Moritz' (1864) by Wilhelm Busch. These two remarkable rapscallions appeared onto this stage of coloured spreads a few months later, on the 12th of December 1897. The Busch influence was of course felt througout the 'magazine-comics-period' 1860-1900. But in young Dirks he had finally found a follower of genius, who together with other likeminded artists, and above all an avaricious public, created the new parameters of the medium.
|
|
<br>
|
|
|
|
|
|
|
|
<br><span style="color: #FF0000;"><span style="font-size: 150%;">Puck 28. July 1897</span></span><br>
|
|
<a href="e.puck.1897.07.28.html">Small version</a> - <a href="e.puck.1897.07.28.large.html">Large version</a>
|
|
<br><br>
|
|
|
|
<a href="e.puck.1897.07.28.large.html"><img src="t.puck.1897.jpg"border="0"></a><br><br>
|
|
|
|
|
|
<br>
|
|
<br>
|
|
<br>
|
|
|
|
<br><span style="color: #FF0000;"><span style="font-size: 150%;">The World 'Comic Weekly' 20. June 1897 (6 pages, ie two missing)</span></span><br>
|
|
<a href="e.world.1897.06.20.small.html">Small version</a> -
|
|
<a href="e.world.1897.06.20.large.html">Large version</a><br>
|
|
<br>
|
|
<a href="e.world.1897.06.20.large.html"><img src="t.world.1897.jpg"border="0"></a><br><br>
|
|
|
|
<br>
|
|
<br>
|
|
|
|
|
|
</td> </tr> </table>
|
|
|
|
<br>
|
|
<hr>
|
|
|
|
<br>
|
|
<a name="1900">
|
|
<div align="center"><span style="font-size: 230%;">1900 - 1929 </span></div>
|
|
<br>
|
|
|
|
<br>
|
|
<a name="dirks">
|
|
|
|
|
|
<br>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<table border="1" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
<a name="mcdougal">
|
|
|
|
|
|
<a href="e.mcdougal.html">Walt <span style="color: #FF0000;">McDougal</span></a><br>
|
|
<br>
|
|
<a href="e.mcdougal.030201.html">Professor Jyblitz (1.2.1902)</a><br>
|
|
<a href="e.mcdougal.030201.html"><img width=960 height=67 src="t.mcdougal.030201.jpg"border="0"></a><br><br>
|
|
<a href="e.mcdougall.120929.html">Hank the Hermit (29.9.1912)</a><br>
|
|
<a href="e.mcdougall.120929.html"><img src="t.mcdougall.120929.jpg"border="0"></a>
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<table border="1" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
<a name="mccay">
|
|
|
|
|
|
<a href="e.mccay.html">Winsor <span style="color: #FF0000;">McCay</span></a><br>
|
|
<br>
|
|
<a href="e.mccay.kloetzel.html">Comparison of McCay dragon to German Baroque theatrical design</a><br>
|
|
<a href="e.mccay.kloetzel.html"><img src="t.mccay.kloetzel.jpg"border="0"></a><br><br>
|
|
<a href="e.mccay.130119.fiend.html">Dream of the Rarebit Fiend (19.1.1913)</a><br>
|
|
<a href="e.mccay.130119.fiend.html"><img src="t.mccay.130119.fiend.jpg"border="0"></a><br><br>
|
|
<a href="e.mccay.130727.html">Dream of the Rarebit Fiend (27.7.1913)</a><br>
|
|
<a href="e.mccay.130727.html"><img src="t.mccay.130727.jpg"border="0"></a><br><br>
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<table border="1" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
|
|
<a name="opper.1900">
|
|
|
|
|
|
<a href="e.opper.1900.html">Fred <span style="color: #FF0000;">Opper</span> (after 1900) Index</a>
|
|
(see also the <a href="e.opper.html"><b>Pre-1900 Opper Index</b></a>)<br>
|
|
<br>
|
|
<a href="e.opper-hh.12.si.puts.in.a.good.word.html">Si puts in a good word for Happy Hooligan (1912)</a><br>
|
|
<a href="e.opper-hh.12.si.puts.in.a.good.word.html"><img src="t.opper.hh.12.si.puts.in.a.good.word.jpg"border="0"></a><br><br>
|
|
|
|
<a href="e.opper-hh.17.there.might.have.html">Happy Hooligan - There might have been a lot of wisdom... (1912)</a><br>
|
|
<a href="e.opper-hh.17.there.might.have.html"><img src="t.opper-hh.sometimes.it.almost.jpg"border="0"></a><br><br>
|
|
|
|
<a href="e.opper-hh.sometimes.it.almost.html">Happy Hooligan - Sometimes it almost seems as if (1913)</a><br>
|
|
<a href="e.opper-hh.sometimes.it.almost.html"><img src="t.opper_hh_sometimes.it.almost.jpg"border="0"></a><br><br>
|
|
|
|
<a href="e.opper-hh.deutsches.journal.1913.html">(Happy Hooligan in German) (Deutsches Journal 1913)</a><br>
|
|
<a href="e.opper-hh.deutsches.journal.1913.html"><img src="t.opper.deutsches.journal.1913.jpg"border="0"></a>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<table border="1" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
<a name="schmidthammer">
|
|
|
|
|
|
<a href="e.schmidthammer.html">Arpad <span style="color: #FF0000;">Schmidthammer</span> (1905) </a> This was very likely an inspiration for 'The Kinder-Kids' by Lionel Feininger. Schmidthammer's 'Mucki' had just been published when Feininger (living in Germany) was commisioned by the Chicago Tribune to come up with a comic strip. The style and content, especially the trip-round-the-world nonsense, shows similarities, although Feininger is far more inventive. - Schmidthammer himself was influenced by Busch, the plump parents are classic Busch (see Tobias Knop and wife), and the gag of hanging onto the stork is lifted from Max and Moritz.
|
|
<br>
|
|
|
|
<a href="e.schmidthammer.html"><img src="t.schmidthammer.feininger.jpg"border="0"></a><br>
|
|
<br>
|
|
<a href="e.schmidthammer.html"><img src="t.schmidthammer.jpg"border="0"></a><br>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<table border="1" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
<a name="verbeek.1900">
|
|
|
|
|
|
<a href="e.verbeek.upside.downs.html">Gustav <span style="color: #FF0000;">Verbeek</span> - The Upside Downs of Little Lady Lovekins and Old Man Muffaroo - The Thrilling Adventure of the Dragon (8. Mai 1904)</a><br>
|
|
<a href="e.verbeek.upside.downs.html"><img src="t.verbeek.upside.downs.jpg"border="0"></a><br>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<table border="1" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#000000">
|
|
<a name="richards.sonntagsbeilage">
|
|
|
|
|
|
<a href="e.richards.sonntagsbeilage.html">P. Richards <span style="color: #FF0000;">'Die Sonntagsbeilage' (The Sunday Supplement)</span>
|
|
Berlin, 1907 </a>
|
|
-
|
|
This is probably the first text explaining the new phenomenon of American Sunday comics to a German audience.
|
|
|
|
|
|
P.Richards was a German-American cartoonist, working in America. This is from a book of recollections, called 'Zeichner und Gezeichnete' .
|
|
Zeichner means draughtsmen/graphic artists /drawers' (Gezeichnete means 'those which have been drawn')
|
|
<br>
|
|
<a href="e.richards.sonntagsbeilage.html"><img src="t.richards.sonntagsbeilage.jpg"border="0"></a><br>
|
|
|
|
|
|
|
|
</td> </tr> </table>
|
|
</span>
|
|
<br>
|
|
<br>
|
|
<br>
|
|
|
|
|
|
<br>
|
|
<a name="unidentified">
|
|
|
|
<span style="color: #ffffcc;"><span style="font-size: 201%;">Unidentified Artists (1860-1900) </span></span><br>
|
|
|
|
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#660000">
|
|
|
|
|
|
|
|
<span style="color: #ffffcc;">from Harper's Round Table, 1897</span><br>
|
|
<a href="e.hrt_0280.html">280 - - How Tommy made one Skate do</a> (Kemble?)<br>
|
|
<a href="e.hrt_0280.html"><img src="t.hrt_0280.tommy.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_0544.html">544 - - An African Bridge</a><br>
|
|
<a href="e.hrt_0544.html"><img src="t.hrt_0544.african.bridge.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_0784.html">784 - - 'An Interesting Article'</a> S.I.Theriat ?<br>
|
|
<a href="e.hrt_0784.html"><img src="t.hrt_0784.article.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_0864.html">864 - - 'An Unintentional Exchange'</a> Hilder?<br>
|
|
<a href="e.hrt_0864.html"><img src="t.hrt_0864.exchange.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_0912.html">912 - - 'The Adventures of a Cartwheel'</a> Hilder?<br>
|
|
<a href="e.hrt_0912.html"><img src="t.hrt_0912.cartwheel.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_0960.html">960 - - 'A New Wag to an Old Tale'</a> (imitator of Frost)<br>
|
|
<a href="e.hrt_0960.html"><img src="t.hrt_0960.new.wag.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_1008.html">1008 - - 'A Cat Tale'</a><br>
|
|
<a href="e.hrt_1008.html"><img src="t.hrt_1008.cat.tale.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_1176.html">1176 - - 'The Patent Sure-to-arrouse Alarm Clock' </a>(A.Berk ?)<br>
|
|
Note the interesting use of stars as sound icons in the first panel!<br>
|
|
|
|
<a href="e.hrt_1176.html"><img src="t.hrt_1176.patent.alarm.jpg"border="0"></a><br><br>
|
|
<a href="e.hrt_1200.html">1200 - - 'The Artist and his Model'</a> gag pinched from Frost, as is the style. Very nicely done though.<br>
|
|
<a href="e.hrt_1200.html"><img src="t.hrt_1200.artist.model.jpg"border="0"></a><br><br>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<span style="color: #ffffcc;"><span style="font-size: 201%;">Unidentified Artists (1860-1900) </span></span><br>
|
|
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#660000">
|
|
|
|
|
|
|
|
<span style="color: #ffffcc;">from Album Noel 1900</span><br>
|
|
|
|
|
|
<a href="e.noel02.html">page 2 - ? 'Un jeune inventeur' (probably Lemot)</a><br>
|
|
<a href="e.noel02.html"><img src="t.noel02.jeune.inventeur.jpg"border="0"></a><br><br>
|
|
<a href="e.noel38.html">page 38 - 'Joies d'un bon sujet - Mesaventures d'un mauvais sujet'</a><br>
|
|
<a href="e.noel38.html"><img src="t.noel38.mesaventures.jpg"border="0"></a><br><br>
|
|
<a href="e.noel46.html">page 46 - 'Pour rouler toujours'</a><br>
|
|
<a href="e.noel46.html"><img src="t.noel46.rouler.jpg"border="0"></a><br><br>
|
|
<a href="e.noel52.html">page 52 - 'Histoire d'une bête</a><br>
|
|
<a href="e.noel52.html"><img src="t.noel52.bete.jpg"border="0"></a><br><br>
|
|
<a href="e.noel64.html">page 64 - 'A la recherche des champignons'</a><br>
|
|
<a href="e.noel64.html"><img src="t.noel64.champignons.jpg"border="0"></a><br><br>
|
|
<a href="e.noel68.html">page 68 - 'Chasse d'hiver'</a><br>
|
|
<a href="e.noel68.html"><img src="t.noel68.chasse.jpg"border="0"></a><br><br>
|
|
<a href="e.noel80.html">page 80 - 'Deception d'un chasseur' (from 'Puck')</a><br>
|
|
<a href="e.noel80.html"><img src="t.noel80.deception.jpg"border="0"></a><br><br>
|
|
<a href="e.noel88.html">page 88 - (no comic) Elephants</a><br>
|
|
<a href="e.noel88.html"><img src="t.noel88.elephants.jpg"border="0"></a><br><br>
|
|
<a href="e.noel90.html">page 90 - 'Ce qu'est la vie'</a><br>
|
|
<a href="e.noel90.html"><img src="t.noel90.la.vie.jpg"border="0"></a><br><br>
|
|
<a href="e.noel92.html">page 92 - 'Les successives stations d'un amateur'</a><br>
|
|
<a href="e.noel92.html"><img src="t.noel92.amateur.jpg"border="0"></a><br><br>
|
|
<a href="e.noel94.html">page 94 - (Giraffe and Biker)</a><br>
|
|
<a href="e.noel94.html"><img src="t.noel94.giraffe.jpg"border="0"></a><br><br>
|
|
<a href="e.noel96.html">page 96 - 'Un jeu amusant' (bears playing rugby)</a><br>
|
|
<a href="e.noel96.html"><img src="t.noel96.jeu.amusant.jpg"border="0"></a><br><br>
|
|
<a href="e.noel100.html">page 100 - BP sc 'Une singulière aventure'</a><br>
|
|
<a href="e.noel100.html"><img src="t.noel100.singuliere.jpg"border="0"></a>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<span style="color: #ffffcc;"><span style="font-size: 201%;">Unidentified Artists (1860-1900) </span></span><br>
|
|
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#660000">
|
|
|
|
|
|
|
|
<span style="color: #ffffcc;">from Picture Magazine, 1893</span><br>
|
|
<a href="e.pm_pubs.html">Tommy goes to sell his pups (originally published in Judge)</a><br>
|
|
<a href="e.pm_pubs.html"><img src="t.pm_pubs.tommy.jpg"border="0"></a><br><br>
|
|
<a href="e.pm-fb.athletics.html">The Advantage of athletics (originally published in Fliegende Blätter)</a> Meggendorfer?<br>
|
|
<a href="e.pm-fb.athletics.html"><img src="t.pm-fb.athletics.jpg"border="0"></a><br><br>
|
|
<a href="e.pm.early.worm.html">A Story with a Moral (originally published in Life)</a><br>
|
|
<a href="e.pm.early.worm.html"><img src="t.pm.early.worm.jpg"border="0"></a><br><br>
|
|
<a href="e.pm.fishing.expressions.html">Some Fishing Expressions</a><br>
|
|
<a href="e.pm.fishing.expressions.html"><img src="t.pm.fishing.expressions.jpg"border="0"></a><br><br>
|
|
<a href="e.pm.mr_wheeler.html">The Flying Steed (originally published in Puck)</a><br>
|
|
<a href="e.pm.mr_wheeler.html"><img src="t.pm.mr_wheeler.jpg"border="0"></a><br><br>
|
|
<a href="e.pm1893.cow.html">The Portrait of a Cow (originally published in Life)</a><br> <span style="color: #ffffcc;">from Fliegende Blätter vol 82</span><br>
|
|
<a href="e.pm1893.cow.html"><img src="t.pm1893.cow.jpg"border="0"></a><br><br>
|
|
<a href="e.fb082.077.urteil.paris.html">'Das Urteil des Paris' (The Judgement of Paris) - Fliegende Blätter vol.82 p.77</a><br>
|
|
<a href="e.fb082.077.urteil.paris.html"><img width=960 height=65 src="t.fb082.077.urteil.paris.jpg"border="0"></a><br><br>
|
|
<a href="e.fb082.166.erysichthon.html">'Erysichthon von Thessalien - oder - So grausam bestraft sich der Baumfrevel' 1885</a><br> <span style="color: #ffffcc;">from Fliegende Blätter vol 46 (1865)</span><br>
|
|
<a href="e.fb082.166.erysichthon.html"><img src="t.fb082.166.erysichthon.jpg"border="0"></a><br><br>
|
|
<a href="e.fb046.101.html">'Der Ofen - Eine Familiengeschichte' (1865)</a><br>
|
|
<a href="e.fb046.101.html"><img src="t.fb046.101.ofen.jpg"border="0"></a><br><br>
|
|
<a href="e.fb046.149.html">'Die Kunst und Wissenschaft des Totschlagens, in ihrer Vergangenheit, Gegenwart und Zukunft' (1865)</a><br>
|
|
<a href="e.fb046.149.html"><img width=960 height=95 src="t.fb046.149.totschlagens.jpg"border="0"></a><br><br>
|
|
<a href="e.fb046.157.html">'Die Crinoline als Barometer' (1865)</a><br>
|
|
<a href="e.fb046.157.html"><img src="t.fb046.157.crinoline.jpg"border="0"></a><br><br>
|
|
<a href="e.fb046.202.html">'Das theuere Vermächtniss' (1865)</a><br>
|
|
<a href="e.fb046.202.html"><img src="t.fb046.202.teure.vermaechtniss.jpg"border="0"></a><br><br>
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<span style="color: #ffffcc;"><span style="font-size: 201%;">Unidentified Artists (1860-1900) </span></span><br>
|
|
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#660000">
|
|
|
|
|
|
|
|
<span style="color: #ffffcc;">from Fliegende Blätter vol 47 (1865)</span><br>
|
|
<a href="e.fb047.007.html">'Bedenken eines Hauseigenthühmers' (1865)</a><br>
|
|
<a href="e.fb047.007.html"><img src="t.fb047.008.bedenken.jpg"border="0"></a><br><br>
|
|
<a href="e.fb047.044.html">'Illustrierte Kriegsberichte' (1865)</a><br>
|
|
<a href="e.fb047.044.html"><img src="t.fb047.044.kriegsberichte.jpg"border="0"></a><br><br>
|
|
<a href="e.fb047.060.html">'Der spannende Roman' (1865)</a><br>
|
|
<a href="e.fb047.060.html"><img src="t.fb047.060.spannend.jpg"border="0"></a><br><br>
|
|
<a href="e.fb047.070.html">'Regnen oder Tröpfeln' (1865)</a><br>
|
|
<a href="e.fb047.070.html"><img src="t.fb047.070.regen.jpg"border="0"></a><br><br>
|
|
<a href="e.fb047.076.html">'Die projectierte Landpartie' (1865)</a><br>
|
|
<a href="e.fb047.076.html"><img src="t.fb047.076.landpartie.jpg"border="0"></a><br><br>
|
|
<a href="e.fb047.174.html">'Pariser Abenteur des Herrn Schwäbele' (1865)</a><br>
|
|
<a href="e.fb047.174.html"><img src="t.fb047.174.pariser.jpg"border="0"></a><br><br>
|
|
<a href="e.fb047.181.html">'Der Raub der Sabinerinnen' (1865)</a><br>
|
|
<a href="e.fb047.181.html"><img src="t.fb047.181.sabinerinnen.jpg"border="0"></a><br><br>
|
|
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<span style="color: #ffffcc;"><span style="font-size: 201%;">Unidentified Artists (1860-1900) </span></span><br>
|
|
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#660000">
|
|
|
|
|
|
<span style="color: #ffffcc;">from Fliegende Blätter vol 48 (1866)</span><br>
|
|
<a href="e.fb048.100.html">'Zwei Engagements' (1866) (1866)</a><br>
|
|
<a href="e.fb048.100.html"><img src="t.fb048.100.engagements.jpg"border="0"></a><br><br>
|
|
<a href="e.fb048.143.html">'Wie das Ausweichen oft schwer ist' (1866)</a><br>
|
|
<a href="e.fb048.143.html"><img src="t.fb048.143.ausweichen.jpg"border="0"></a><br><br>
|
|
<a href="e.fb048.165.html">'Das Zuckerfass' (1866)</a> R.G.<br>
|
|
<a href="e.fb048.165.html"><img src="t.fb048.165.zuckerfass.jpg"border="0"></a><br><br>
|
|
<a href="e.fb048.180.html">'Wochenkalender für moderne Liebe' (1866)</a><br>
|
|
<a href="e.fb048.180.html"><img src="t.fb048.180.moderne.liebe.jpg"border="0"></a><br><br>
|
|
<a href="e.fb048.198.hexe.walburga.html">not a comic - (Hexe Walpurga) (1866)</a><br>
|
|
<a href="e.fb048.198.hexe.walburga.html"><img src="t.fb048.198.hexe.walburga.jpg"border="0"></a><br><br>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<span style="color: #ffffcc;"><span style="font-size: 201%;">Unidentified Artists (1860-1900) </span></span><br>
|
|
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#660000">
|
|
|
|
|
|
<span style="color: #ffffcc;">from Lustige Blätter 1892</span><br>
|
|
<br>
|
|
|
|
<a href="e.lb.1892.02.05.html">Eine Liebesgeschichte </a><br>
|
|
<a href="e.lb.1892.02.05.html"><img src="t.lb.1892.02.05.liebesgeschichte.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.1712.html">Der Kritische Tag </a><br>
|
|
<a href="e.lb.1892.1712.html"><img src="t.lb.1892.1712.kritische.tag.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.2305.html">'Wie eine Gans durch allzuviel Rücksicht auf den Hund kommt' (1892)</a> G.W.<br>
|
|
<a href="e.lb.1892.2305.html"><img src="t.lb.1892.2305.gans.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.2402.html">'Ein schwungvoller Heimweg' (1892)</a><br>
|
|
<a href="e.lb.1892.2402.html"><img src="t.lb.1892.2402.heimweg.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.2802.html">'Ein französisches Duell' (1892)</a><br>
|
|
<a href="e.lb.1892.2802.html"><img src="t.lb.1892.2802.duell.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.2805.html">'Missglückter Aufsprung' (1892) (faint signature)</a><br>
|
|
<a href="e.lb.1892.2805.html"><img src="t.lb.1892.2805.aufsprung.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.3607.html">'Gestillter Liebesdurst' (1892)</a><br>
|
|
<a href="e.lb.1892.3607.html"><img src="t.lb.1892.3607.liebesdurst.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.3705.html">'Wenn zwei dasselbe tun..' (1892) (1892)</a><br>
|
|
<a href="e.lb.1892.3705.html"><img src="t.lb.1892.3705.dasselbe.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
<a href="e.lb.1892.4302.html">'Das Vogelschiessen' (1892) <br>
|
|
(Kerner? - signature in last panel)</a><br>
|
|
<a href="e.lb.1892.4302.html"><img src="t.lb.1892.4302.vogelschiessen.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<span style="color: #ffffcc;"><span style="font-size: 201%;">Unidentified Artists (1860-1900) </span></span><br>
|
|
|
|
<table border="0" cellspacing="0" cellpadding="10" width="980"><tr> <td bgcolor="#660000">
|
|
|
|
|
|
|
|
|
|
<a name="">
|
|
<span style="color: #ffffcc;">L., S. (S L)</span><br>
|
|
<a href="e.fb082.070.sl.html">'Die lästigen Gardedamen - oder - Gut Aufgehoben' (F.B. vol 82)</a><br>
|
|
<a href="e.fb082.070.sl.html"><img src="t.fb082.070.sl.jpg"border="0"></a>
|
|
<br>
|
|
<br>
|
|
|
|
|
|
<br><span style="color: #ffffcc;">K., A. (A K)</span><br>
|
|
<a href="e.lb.1892.2706.html">'In die unrechte Kehle gekommen' (1892)</a><br>
|
|
<a href="e.lb.1892.3402.html">'Der neue Brutapperat' (1892)</a><br>
|
|
<a href="e.lb.1892.3502.html">'Triumph des Drills' (1892)</a><br>
|
|
|
|
<a href="e.lb.1892.2706.html"><img src="t.lb.1892.2706.jpg"border="0"></a>
|
|
|
|
<a href="e.lb.1892.3402.html"><img src="t.lb.1892.3402.jpg"border="0"></a>
|
|
|
|
<a href="e.lb.1892.3502.html"><img src="t.lb.1892.3502.jpg"border="0"></a><br>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
<br><span style="color: #ffffcc;">Unidentified Bilderbogen ('Nr.222') </span><br>
|
|
<a href="e.bilderbogen.jeder.ist.seines.glueckes.schmied.html">'Jeder ist seines Glückes Schmied' (Everyone makes his own luck)</a><br>
|
|
<a href="e.bilderbogen.jeder.ist.seines.glueckes.schmied.html"><img src="t.bilderbogen.jeder.ist.seines.glueckes.schmied.tonwert.jpg"border="0"></a><br>
|
|
|
|
|
|
<br><span style="color: #ffffcc;">from Ludwigsburger Sonntagsbeilage</span><br>
|
|
<a href="e.ludwigsburger.html">(4 pages)</a><br>
|
|
|
|
|
|
|
|
|
|
|
|
<br>
|
|
<a name="e.advertising"><br>
|
|
<a name="">
|
|
<br><span style="color: #ffffcc;">Advertising Comics</span><br>
|
|
|
|
<a href="e.advertising.html"> 'Blackwell's' - 'A romance for married men' (1870s)</a><br>
|
|
<a href="e.advertising.html"><img src="t.blackwell1.jpg"border="0"></a><br>
|
|
<br>
|
|
|
|
<a href="e.advertising2.html">'Hold Fast'</a><br>
|
|
<a href="e.advertising2.html"><img src="t.advertising.hold.fast.1880.jpg"border="0"></a><br>
|
|
|
|
<br>
|
|
<a name="">
|
|
<a href="e.esquire.brown.html">Esquire Brown</a> <span style="color: #ffffcc;">Amercian (1864)</span><br>
|
|
<a href="e.esquire.brown.html"><img src="t.esquire.brown.jpg"border="0"></a><br>
|
|
<br>
|
|
<br>
|
|
|
|
|
|
|
|
<a href="e.toms.holiday.html">'Tom's Holiday'</a> W Q ?<br>
|
|
<a href="e.toms.holiday.html"><img src="t.toms.holiday.jpg"border="0"></a><br>
|
|
|
|
<br>
|
|
|
|
<a name="">
|
|
<br><span style="color: #ffffcc;">Grip Magazine (Canadian) (1881)</span><br>
|
|
<a href="e.grip.magazine.1881.html">'The Amende Honorable - A Globe Experience in three scenes'</a><br>
|
|
<a href="e.grip.magazine.1881.html"><img src="t.grip.magazine.1881.jpg"border="0"></a><br>
|
|
<br>
|
|
|
|
<a name="">
|
|
<br><span style="color: #ffffcc;">Merryman's Monthly (1865)</span><br>
|
|
<a href="e.merryman.html">'The Flying Machine'</a><br>
|
|
<a href="e.grip.magazine.1881.html"><img src="t.merryman.flying.machine.jpg"border="0"></a><br>
|
|
|
|
|
|
</td> </tr> </table>
|
|
<br>
|
|
<br>
|
|
|
|
|
|
|
|
|
|
|
|
<span style="color: #CCFFCC;"></span>
|
|
<br>
|
|
<a name="a-z">
|
|
A-Z (these will lead you to the artist's mini pictures above)
|
|
|
|
<br>
|
|
<table><tr><td nowrap valign="top">
|
|
|
|
<a href="earlycomics.html#andral"><font size="3">Andral, G.</font></a><br>
|
|
<a href="earlycomics.html#FvB"><font size="3">B., F. von</font></a><br>
|
|
<a href="earlycomics.html#bahr"><font size="3">Bahr, Johann</font></a><br>
|
|
<a href="earlycomics.html#baric"><font size="3">Baric</font></a><br>
|
|
<a href="earlycomics.html#beard"><font size="3">Beard, Frank</font></a><br>
|
|
<a href="earlycomics.html#bernard"><font size="3">Bernard, Edouart</font></a><br>
|
|
<a href="earlycomics.html#budd"><font size="3">Budd, C.J. </font></a><br>
|
|
<a href="earlycomics.html#bunner"><font size="3">Bunner, R.F. </font></a><br>
|
|
<a href="earlycomics.html#burret"><font size="3">Burret, Léonce </font></a><br>
|
|
<a href="earlycomics.html#busch"><font size="3">Busch, Wilhelm </font></a><br>
|
|
<a href="earlycomics.html#caldecott"><font size="3">Caldecott, Randolph</font></a><br>
|
|
<a href="earlycomics.html#carandache"><font size="3">Caran d'Ache</font></a><br>
|
|
<a href="earlycomics.html#chicki"><font size="3">Chicki, Georges</font></a><br>
|
|
<a href="earlycomics.html#china_how.it.is.made"><font size="3">Chinese (probably late 18th c.) </font></a><br>
|
|
<a href="earlycomics.html#chinks"><font size="3">Chinks</font></a><br>
|
|
<a href="earlycomics.html#chip"><font size="3">Chip (F.P.W.Bellew)</font></a><br>
|
|
<a href="earlycomics.html#christophe"><font size="3">Christophe (Georges Colomb) </font></a><br>
|
|
<a href="earlycomics.html#cohl"><font size="3">Cohl, Emile </font></a><br>
|
|
<a href="earlycomics.html#clark"><font size="3">Clark, J.B</font></a><br>
|
|
<a href="earlycomics.html#crowquill"><font size="3">Crowquill, Alfred</font></a><br>
|
|
<a href="earlycomics.html#cruikshank"><font size="3">Cruikshank, George</font></a><br>
|
|
<a href="earlycomics.html#cyl"><font size="3">Cyl, C. </font></a><br>
|
|
<a href="earlycomics.html#daggy"><font size="3">Daggy A.S. </font></a><br>
|
|
<a href="earlycomics.html#dalrymple"><font size="3">Dalrymple</font></a><br>
|
|
<a href="earlycomics.html#deb"><font size="3">Deb </font></a><br>
|
|
<a href="earlycomics.html#depaquit"><font size="3">Dépaquit, Jules </font></a><br>
|
|
<a href="earlycomics.html#diobiding"><font size="3">Dio-Biding </font></a><br>
|
|
<a href="earlycomics.html#does"><font size="3">Doës</font></a><br>
|
|
|
|
|
|
</td>
|
|
<td nowrap valign="top">
|
|
|
|
<a href="earlycomics.html#douhin"><font size="3">Douhin, A.</font></a><br>
|
|
<a href="earlycomics.html#dore"><font size="3">Doré, Gustave</font></a><br>
|
|
<a href="earlycomics.html#doyle"><font size="3">Doyle, Richard</font></a><br>
|
|
<a href="earlycomics.html#dunk"><font size="3">Dunk, R.M.</font></a><br>
|
|
<a href="earlycomics.html#fau"><font size="3">Fau, Fernand</font></a><br>
|
|
<a href="earlycomics.html#frost"><font size="3">Frost, A.B.</font></a><br>
|
|
<a href="earlycomics.html#gerlach"><font size="3">Gerlach</font></a><br>
|
|
<a href="earlycomics.html#gillray"><font size="3">Gillray, John </font></a><br>
|
|
|
|
<a href="earlycomics.html#godefroy"><font size="3">Godefroy</font></a><br>
|
|
<a href="earlycomics.html#goez"><font size="3">Goez, Joseph Franz von</font></a><br>
|
|
<a href="earlycomics.html#goodes"><font size="3">Goodes, W.M.</font></a><br>
|
|
<a href="earlycomics.html#graetz"><font size="3">Graetz, F.</font></a><br>
|
|
<a href="earlycomics.html#grandville"><font size="3">Grandville, J.J.</font></a><br>
|
|
<a href="earlycomics.html#griffin"><font size="3">Griffin, Syd B.</font></a><br>
|
|
<a href="earlycomics.html#heath"><font size="3">Heath, William</font></a><br>
|
|
<a href="earlycomics.html#herford"><font size="3">Herford, O. </font></a><br>
|
|
<a href="earlycomics.html#hoffmann"><font size="3">Hoffmann, Heinrich (Struwwelpeter)</font></a><br>
|
|
<a href="earlycomics.html#hogarth"><font size="3">Hogarth, William </font> </a><br>
|
|
<a href="earlycomics.html#hopkins"><font size="3">Hopkins, Livingstone</font></a><br>
|
|
<a href="earlycomics.html#howarth"><font size="3">Howarth, F.M.</font></a><br>
|
|
<a href="earlycomics.html#jensen"><font size="3">Jensen, A. </font></a><br>
|
|
<a href="earlycomics.html#keene"><font size="3">Keene. Charles</font></a><br>
|
|
<a href="earlycomics.html#kemble"><font size="3">Kemble, W.C. </font></a><br>
|
|
<a href="earlycomics.html#kerlie"><font size="3">Kerlie? </font></a><br>
|
|
<a href="earlycomics.html#koch"><font size="3">C. Koch </font></a><br>
|
|
<a href="earlycomics.html#lagemann"><font size="3">Lagemann, Ch.</font></a><br>
|
|
<a href="earlycomics.html#lebocain"><font size="3">Le Bocain</font></a><br>
|
|
|
|
|
|
</td><td nowrap valign="top">
|
|
|
|
<a href="earlycomics.html#leech"><font size="3">Leech, John</font></a><br>
|
|
<a href="earlycomics.html#leguey"><font size="3">Leguey, Luc </font></a><br>
|
|
<a href="earlycomics.html#lemot"><font size="3">Lemot, Achille (Uzès) </font></a><br>
|
|
<a href="earlycomics.html#sl"><font size="3">L., S. </font></a><br>
|
|
<a href="earlycomics.html#leoy"><font size="3">Leoy </font></a><br>
|
|
<a href="earlycomics.html#lepetit"><font size="3">Le Petit, Alfred </font></a><br>
|
|
<a href="earlycomics.html#lobrichon"><font size="3">Lobrichon, Timoléon Marie</font></a><br>
|
|
<a href="earlycomics.html#malatesta"><font size="3">Malatesta, H. ? </font></a><br>
|
|
<a href="earlycomics.html#mandl"><font size="3">Mandl, M.</font></a><br>
|
|
<a href="earlycomics.html#maurier"><font size="3">Maurier, George de</font></a><br>
|
|
<a href="earlycomics.html#may"><font size="3">May, Chas </font></a><br>
|
|
<a href="earlycomics.html#mayer"><font size="3">Mayer, Hy </font></a><br>
|
|
<a href="earlycomics.html#mccay"><font size="3">McCay, Winsor </font></a><br>
|
|
<a href="earlycomics.html#mcdougal"><font size="3">McDougal, Walt </font></a><br>
|
|
<a href="earlycomics.html#mclenan"><font size="3">Mclenan, John </font></a><br>
|
|
<a href="earlycomics.html#meggendorfer"><font size="3">Meggendorfer, Lothar </font></a><br>
|
|
<a href="earlycomics.html#mob"><font size="3">Mob </font></a><br>
|
|
<a href="earlycomics.html#monnier"><font size="3">Monnier, M. </font></a><br>
|
|
<a href="earlycomics.html#moriss"><font size="3">Moriss </font></a><br>
|
|
<a href="earlycomics.html#newell"><font size="3">Newell, Peter </font></a><br>
|
|
<a href="earlycomics.html#oberlaender"><font size="3">Oberländer, Adolf </font></a><br>
|
|
<a href="earlycomics.html#opper"><font size="3">Opper, Fred (before 1900)</font></a><br>
|
|
<a href="earlycomics.html#opper.1900"><font size="3">Opper, Fred (after 1900)</font></a><br>
|
|
<a href="earlycomics.html#photo"><font size="3">Photo Comics</font></a><br>
|
|
<a href="earlycomics.html#piery"><font size="3">Piery, Emile</font></a><br>
|
|
<a href="earlycomics.html#phillipp"><font size="3">Phillipp, H.W. </font></a><br>
|
|
<a href="earlycomics.html#pommerhanz"><font size="3">Pommerhanz, Karl </font></a><br>
|
|
<a href="earlycomics.html#pughe"><font size="3">Pughe, J.S. </font></a><br>
|
|
|
|
|
|
|
|
</td>
|
|
<td nowrap valign="top">
|
|
|
|
|
|
<a href="earlycomics.html#rabier"><font size="3">Rabier. Benjamin </font></a><br>
|
|
<a href="earlycomics.html#reinhardt"><font size="3">Reinhardt, Carl </font></a><br>
|
|
<a href="earlycomics.html#reichert"><font size="3">Reichert </font></a><br>
|
|
|
|
<a href="earlycomics.html#reinicke"><font size="3">Reinicke, Emil </font></a><br>
|
|
|
|
<a href="earlycomics.html#rey"><font size="3">Rey, K. </font></a><br>
|
|
<a href="earlycomics.html#richards"><font size="3">Richards, F.T. </font></a><br>
|
|
<a href="earlycomics.html#richards.sonntagsbeilage"><font size="3">Richards, P. </font></a><br>
|
|
<a href="earlycomics.html#ross"><font size="3">Ross, Charles & Marie Duval ('Ally Sloper')</font></a><br>
|
|
<a href="earlycomics.html#rowlandson"><font size="3">Rowlandson, Thomas (Dr Syntax)</font></a><br>
|
|
<a href="earlycomics.html#rusden"><font size="3">Rusden, A. </font></a><br>
|
|
<a href="earlycomics.html#scherenberg"><font size="3">Scherenberg, H. </font></a><br>
|
|
<a href="earlycomics.html#schhoenborn"><font size="3">Schönborn, R. </font></a><br>
|
|
<a href="earlycomics.html#schliessmann"><font size="3">Schliessmann, H. </font></a><br>
|
|
<a href="earlycomics.html#schmelzer"><font size="3">Schmelzer </font></a><br>
|
|
<a href="earlycomics.html#schmidthammer"><font size="3">Schmidthammer, Arpad </font></a><br>
|
|
<a href="earlycomics.html#shepherd"><font size="3">Shepherd, James A. </font></a><br>
|
|
<a href="earlycomics.html#storch"><font size="3">Storch, C. </font></a><br>
|
|
<a href="earlycomics.html#storkmann"><font size="3">Storkmann </font></a><br>
|
|
<a href="earlycomics.html#sullivan"><font size="3">Sullivan, James</font></a><br>
|
|
<a href="earlycomics.html#tenniel"><font size="3">Tenniel, John</font></a><br>
|
|
<a href="earlycomics.html#theele"><font size="3">Theele, John</font></a><br>
|
|
<a href="earlycomics.html#toepffer"><font size="3">Töpffer, Rodolphe</font></a><br>
|
|
<a href="e.hrt_0760.html"><font size="3">Tucker, M. ?</font></a><br>
|
|
|
|
|
|
<a href="earlycomics.html#vaiselow"><font size="3">Vaiselow, M.</font></a><br>
|
|
<a href="earlycomics.html#verbeek"><font size="3">Verbeek, Gustav </font></a><br>
|
|
<a href="earlycomics.html#verbeek.1900"><font size="3">Verbeek, Gustav (after 1900)</font></a><br>
|
|
<a href="earlycomics.html#vitou"><font size="3">Vitou, S.</font></a><br>
|
|
<a href="earlycomics.html#unidentified"><font size="3">Unidentified Artists</font></a><br>
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
</td> </tr> </table>
|
|
<hr>
|
|
|
|
|
|
|
|
</span>
|
|
|
|
|
|
<a href="earlycomics.in.print.html"><img width=100 height=76 src="mi.p.herriman_krazy.kat.dailies.18-19.jpg"border="0"></a><br>
|
|
|
|
<a href="earlycomics.in.print.html"><span style="font-size: 130%;">Early Comics in Print</span></a>
|
|
|
|
<br><br>
|
|
<span style="font-size: 120%;">If you have questions about early comics, please direct them to this mailing list: </span><a href="http://www.egroups.com/group/PlatinumAgeComics"><span style="font-size: 120%;">Platinum Age Comics</span></a>
|
|
<br>
|
|
<span style="font-size: 70%;">Copyright © 2011 by Andy Konky Kru </span>
|
|
|
|
<hr>
|
|
|
|
|
|
<a href="index.html">Home</a>
|
|
<a href="earlycomics.html">Early Comics</a>
|
|
<a href="links.html">Links</a>
|
|
<a href="ac.00.abstract.thumbs.html">Abstract Comics</a>
|
|
<a href="ac.00.other.html">Other Comics</a>
|
|
<a href="ac.00.konky.kru.html">Konky Kru</a>
|
|
|
|
|
|
</div>
|
|
|
|
</body>
|
|
</html></html> |