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<b>Wortmann,</b> Thomas: Diätetik der Freiheit? Miszelle zur Funktion der Mahlzeit in Lenz' Hofmeister, in: Jianhua Zhu, Jin Zhao, Michael Szurawitzki (Hg.): Akten des XIII. Internationalen Germanistenkongresses Shanghai 2015, Frankfurt a.M. 2017, Bd. 7, S. 127-132.</p>
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<b>Fuchs,</b> Susanne: „So steh' ich denn hier wehrlos gegen dich?“ – Figures of Armament and Disarmament in German Drama before and after the French Revolution, in: Goethe Yearbook 25 (2018), S. 239-266.</p>
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<b>Gier,</b> Albert: Die Soldaten. Jakob Michael Reinhold Lenz und Bernd Alois Zimmermann, in: Katarzyna Grzywka-Kolago, Malgorzata Filipowicz, Maciej Jttdrzejewski (Hg.): Texte komponieren, von Klängen erzählen. Studien zu den Beziehungen von Literatur und Musik. Berlin 2019, S. 11-29.</p>
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<b>,</b>V. V.: Epistoljanye formy v tvorcestve J. M. R: Lenca, in: Russkaja germanistika 16 (2019), S. 40-49.</p>
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<b>Potysch,</b> Nicolas: „Der wunderbare Charakter eines höchst gefährlichen Kranken“. Widerstreitende Figurenbewertung in Lenz' Waldbruder, in: Matthias Bauer, Frauke Berndt, Sebastian Meixner (Hg.): Ambivalenz in Sprache, Literatur und Kunst. Würzburg 2019, S. 213-235.</p>
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<b>Feminella</b>, Matthew: „Mensch, die sind zu groß für unsere Zeit“. Space, Nation and the Locations of Satire in Lenz' Pandämonium Germanikum, in: Hermann Gätje, Sikander Singh (Hg.): Das geistige Straßburg im 18. und 19. Jahrhundert. Tübingen 2020, S. 93-109.</p>
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<b>Fossaluzza</b>, Cristina: Eine ewig offene, schwelende Wunde. Lenz und das Ungesagte in Albert Ostermaiers Roman Lenz im Libanon (2015), in: Lorella Bosco, Marella Magris (Hg.): Il non detto I Das Ungesagte. Rom 2020, S. 19-31.</p>
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<b>Curran,</b> Veronica Rose: Freedom, Obedience and the Problem of Class Iu J. M. R. Lenz's Die Soldaten, in: Martin Wagner, Elystan Griffiths (Hg.): The Drama of Obedience. Abingdon 2021 (= Oxford German Studies 50 [2021], H. 3), S. 305-317.</p>
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<b>Curran,</b> Veronica Rose: Freedom, Obedience and the Problem of Class Iu J. M. R. Lenz's Die Soldaten, in: Martin Wagner, Elystan Griffiths (Hg.): The Drama of Obedience. Abingdon 2021 (= Oxford German Studies 50 [2021], H. 3), S. 305-317.</p>
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<b>Fischer,</b> Markus: Kritik der Höflichkeit. Zum Wandel einer Verhaltensform in der Epoche des Sturm und Drang, in: Temeswarer Beiträge zur Germanistik 18 (2021), S. 79-90.</p>
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<b>Hermann-Neiße,</b>
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<b></b>Max: Jakob Michael Reinhold Lenz: Ausgewählte Gedichte, in: Ders.: Kritiken und Essays (1909-1939). Kritische Edition. Hg. von Sibylle Schönborn. Bd. 1: 1909-1920. Hg. von Beata Giblak unter Mitarbeit von Fabian Wilhelmi und Sirnone Zupfer. Bielefeld 2021, S. 20-21, 598-599.</p>
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<b></b>Stefan: „Mörder Kolon“? Europäische ‚Entdeckungsreisen‘ und ihre Folgen in Gedichten des Sturm und Drang (Herder, Lenz), in: Michaela Holdenried, Anna-Maria Post (Hg.): „Land in Sicht!“ Literarische Inszenierungen von Landnahmen und ihren Folgen. Berlin 2021, S. 23-37.</p>
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|
||||
<b></b>Stefan: „Mörder Kolon“? Europäische ‚Entdeckungsreisen‘ und ihre Folgen in Gedichten des Sturm und Drang (Herder, Lenz), in: Michaela Holdenried, Anna-Maria Post (Hg.): „Land in Sicht!“ Literarische Inszenierungen von Landnahmen und ihren Folgen. Berlin 2021, S. 23-37.</p>
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<b>Hermes,</b> Stefan: Figuren der Anderen. Völkerkundliche Anthropologie und Drama im Sturm und Drang. Bielefeld 2021.</p>
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||||
<b></b>Günther A.: Aposiopesen und Ellipsen. Symptomatische (Un)Bewegtheit in Dramen des Sturm und Drang und der Gegenwart, in: Rita Rieger (Hg.): Bewegungsszenarien der Moderne. Theorien und Schreibpraktiken physischer und emotionaler Bewegung. Heidelberg 2021, S. 55-71</p>
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<b>Luserke-Jaqui,</b> Matthias: Sturm und Drang. Ausgewählte Beiträge zur Binnenkritik und Dynamisierung der Aufklärung. Würzburg 2021.</p>
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<b>Martin,</b> Ariane: Johann Christoph Freieisens Brief an August Stoeber vom 8. März 1839. Spuren eines Romans über J. M. R. Lenz in einem Dokument der Lenz-Rezeption im Umkreis Georg Büchners, in: LenzJahrbuch 27 (2020), S. 87-97.</p>
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<b>Brauneis,</b> Adrian: Die Welt als Trauerspiel. Poesietheoretische Überlegungen zu J. M. R. Lenz' Erzählung Zerbin oder Die neuere Philosophie (1776), in: Lenz-Jahrbuch 28 (Hannover 2022), S. 47-72.</p>
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<b>Hoffmann,</b> Gert: Le Retour a Riga du fils prodigue J. M. R. Lenz. Übs. von Henri-Alexis Baatsch. Rennes 2022.</p>
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<b>Klawitter,</b> Arne: „Was könte er nicht für unsre Bühne seyn!“ Jakob Michael Reinhold Lenz und die Reflexe des Sturm und Drang im Altonaer Neuen gelehrten Mercurius, in: Lenz-Jahrbuch 28 (Hannover 2022), S. 73-98.</p>
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<b>Martin,</b>Ariane: Marginalien zu Artur Kutschers Bühnenbearbeitung Die Soldaten von J. M. R. Lenz, in: Lenz-Jahrbuch 28 (2022), S. 99-140.</p>
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<p class="Einzug">Lenz-Jahrbuch. Literatur – Kultur – Medien 1750-1800. Bd. 28 (2022). Hrsg. von Nikola <b>Roßbach,</b> Ariane <b>Martin</b> und Georg-Michael <b>Schulz</b>. Hannover 2022.</p>
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<b>Curran,</b> Veronica Rose: Freedom, Obedience and the Problem of Class Iu J. M. R. Lenz's Die Soldaten, in: Martin Wagner, Elystan Griffiths (Hg.): The Drama of Obedience. Abingdon 2021 (= Oxford German Studies 50 [2021], H. 3), S. 305-317.</p>
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<p class="Einzug">Müller-Schöll, Nikolaus: The Castrated Schoolmaster. Brecht, The Tutor, and Lenz, in: Tom Kuhn, David Barnett (Hg): Recycling Brecht. Woodbridge 2018 (=Brecht-Jahrbuch, 42), S. 67-84.</p>
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